Pictured above: Justin Simien (right) most recently directed “Bad Hair.”
By Mariam Keita ’24
Arts & Entertainment Editor
Director Justin Simien’s most recent work, “Bad Hair,” is certainly a lot to take in. The new movie became available on Hulu this October after premiering at the Sundance Film Festival in January. Simien is most well known for his 2014 feature film “Dear White People,” which was later adapted into the hit Netflix series of the same name.
Much like Simien’s other films, “Bad Hair” boasts a predominantly Black cast and his trademark comedic style. But unlike in his other films, Simien attempts to venture into new territory by crossing over into the horror genre.
Unfortunately, he doesn’t do it well. I found myself laughing when I was supposed to scream and yawning when I was supposed to laugh.
The film centers on protagonist Anna Bludso (Elle Lorraine), an assistant at a Black television network who is unsatisfied with her stagnant career. After a suggestion from a co-worker and under the behest of new management, Anna decides to get a sew-in over her natural hair so that she can finally advance in the company. Little does she know, her new hair happens to be possessed.
Though this movie had a budget of $8.9 million 一 more than twice the financial support that Jordan Peele’s “Get Out” received 一 it somehow managed to deliver less than half the performance. Featured among the movie’s star-studded cast were names like Laverne Cox, Usher, Kelly Rowland and Lena Waithe. However, not a single one of their characters played a role that is central to the plot.
Anna is a character without any dimension, whose life revolves almost entirely around her unsatisfying job. Her only “friends” and visible love interests are all co-workers, her relationship with her family is not stable at all and she is one missing rent payment away from homelessness. Throughout all of this, she remains a very passive agent in her own narrative, allowing bad things to happen without taking even the most rudimentary actions to fix them.
As I watched “Bad Hair,” I couldn’t shake the feeling that Simien is trying to punish Black women with this narrative.
Though I won’t spoil too much of the ending, I will say that “Bad Hair” seems to offer Black women two options: sell your soul by buying into Eurocentric standards of beauty and forgoing all bodily autonomy, or embrace your natural hair and accept the fact that you will never progress in life.
At different points in the storyline, Anna embodies both choices. She seems to oscillate between just two moods: anger and fear. As one of my friends so deftly put it during our conversation about the movie, the hair had more personality than she did.
“Bad Hair” is an example of a movie trying to bite off more than it can chew. Some subplots that the movie attempted to tackle included colorism and texturism in the workplace, sexual coercion and gentrification. However, most of these themes failed to act in dialogue with one another, creating a chaotic storyline that is difficult to follow. After watching the entire film, I still don’t understand what the writers and producers were hoping to accomplish or what I, as the viewer, was supposed to take away from it.
While it may have left a lot to be desired, the movie was not all bad. For example, I don’t know how but Simien managed to make something as simple as getting your hair done appear so terrifying and grotesque that I felt as though I was going to throw up and pass out at the same time. Another redemptive arc was the growth in Anna’s relationship with her cousin, with whom she has had a strained relationship from a young age.
If you are looking for something to watch on a Friday afternoon that will give you a good laugh and get your mind working a little bit, “Bad Hair” isn’t a terrible option. Just make sure you don’t set your expectations too high.