Tasnia Mowla

‘Dune’ proves that the white savior trope is alive and well

‘Dune’ proves that the white savior trope is alive and well

Frank Herbert’s 1965 novel “Dune” is a science-fiction classic that influenced the subsequent development of the genre. Dune is back in headlines following the 2021 film reboot, which is the second most nominated film at the Oscars this year. Herbert has faced criticism for his protagonist Paul Atreides who is a white messiah figure to the Indigenous people of planet Arrakis. At a roundtable conversation with a group of journalists, director Denis Villeneuve responded to the longstanding view that the source material glorified the white savior trope. “It’s a criticism of the idea of a savior, of someone that will come and tell another population how to be, what to believe,”' he said.

Foreign language media needs to be a staple of the film industry

Foreign films have had a hard time escaping American art houses. Acclaimed Italian moviemaker Federico Fellini may have won the most directorial academy awards, but his works never made it to mainstream American audiences. This has earned Americans a reputation of being disinterested in foreign content, but this is not the whole truth. Major studios have often bought the rights to popular international films, but withhold them from large audiences, opting instead for remakes.

Biden’s policy shift in Yemen is not enough to promote peace

Biden’s policy shift in Yemen is not enough to promote peace

For over six years, Yemen has been torn apart by war. The United States has been supporting a Saudi-led coalition’s military campaign against Houthi rebels from the mountainous northern provinces of Yemen. When Saudi Arabia and its allies launched Operation Decisive Storm in 2015, they were expecting an outright victory within weeks. This assessment was too optimistic.